As I drink
My red wine
I idly think
On Dowson’s rhyme.
The poet took delight
In women and wine.
On this December night
I have my wine.
As I drink
My red wine
I idly think
On Dowson’s rhyme.
The poet took delight
In women and wine.
On this December night
I have my wine.
My friend, Brian drew this recent article in the Telegraph to my attention https://www.telegraph.co.uk/news/2021/05/22/hot-handel-royal-academy-music-could-dump-artefacts-composer/.
In “Too Hot to Handel”, the Telegraph reports that the Royal Academy of Music is considering disposing of artifacts associated with the composer, due to Handel having invested in the slave trade. It also mentions that Mozart is being reviewed due to his father Leopold having been hosted by those involved in the slave trade during his visit to England.
I have always been of the view that one should consider a work of art (whether music, literature or painting) on it’s own merits. It matters not whether the author was a person of virtue or a disreputable reprobate. If there artistic creation is sublime, then that is what it is.
Slavery was (and remains) an abhorrent practice. However to state this fact is irrelevant when considering the value of Handel (or any other creative person’s work). Of course one may pause when listening to the Messiah and ponder on how a man who could produce such sublime music could have profited from human misery. But, in the end beautiful music remains beautiful music.
One must also view Handel in the context of his time. Many people participated in slavery either as investors or as sailors who brought human cargoes from Africa. It was (and remains) an abominable trade, but whilst condemning past men may give us a feeling of moral superiority, it does not aid our understanding of Handel’s work.
One of my favourite poets (probably my favourite), is Ernest Christopher Dowson. He lived a decadent life and died at the age of 32. During his career he spent much time in the arms of prostitutes and this contributed to some of his most moving verse, including Cynara, https://www.theguardian.com/books/booksblog/2011/mar/14/non-sum-qualis-cynarae-dowson.
I have no interest in what consenting adults choose to do in private, and this view extends to those who consort with the world’s oldest profession. However, even if one holds that those who patronise prostitutes (as Dowson did) are immoral persons who exploit the vulnerable, it is important to judge the worth of an artistic creation on it’s own merits and (so far as is humanly possible) to separate the creator from his creation.
As always I would be interested in the views of my readers.
My thanks to Robbie Cheadle for her kindness in allowing me to talk about my favourite poem, “They Are Not Long”, by Ernest Christopher Dowson, and for reviewing my book, “Light and Shade”. For the post please visit https://kayelynnebooth.wordpress.com/2020/07/25/meet-poet-kevin-morris-and-a-review-of-his-latest-book-light-and-shade-serious-and-not-so-serious-poems/.
An informative post on the site Interesting Literature, entitled “33 of the most famous very short poems of all time”,, https://interestingliterature.com/2020/04/famous-very-short-poems-all-time/.
The list contains such gems as William Blake’s “The Tiger”.
I was a little surprised that the listed poems did not include “Vitae Summa Brevis Spem Nos Vetat Incohare Longam”, by Ernest Christopher Dowson, one of the so-called “decadent” or “Catholic” poets, https://poets.org/poem/vitae-summa-brevis-spem-nos-vetat-incohare-longam. I have long been an admirer of Dowson’s work, so I am, perhaps biased as regards his poetry!
Whilst I am no Dowson or Blake, I have taken the liberty of including my poem, “Summer” below:
“Summer unlocks
Youthful passion.
Now ’tis the fashion
For short frocks
And tiny socks.
Some girls barefoot go;
For, of a summer’s day,
They little know
That winter snow
Is on its way”.
“Summer” can be found in “The Selected Poems of K Morris”, which is available as a Kindle download or in paperback, and can be accessed here, https://www.amazon.com/dp/B07WW8WXPP/.
I have known you for a long time:
Women,, and wine, and rhyme.
The prospect is most fine:
With women, and rhyme, and wine.
The hill does gently decline:
With women,, and rhyme, and wine.
Yet the world is surely divine:
With women, and rhyme, and wine.
—
Note: I was influenced, I believe, when composing the above poem, by Ernest Christopher Dowson’s “The Poet’s Road” which runs thus:
“Wine and woman and song,
Three things garnish our way:
Yet is day over long.
Lest we do our youth wrong,
Gather them while we may:
Wine and woman and song.
Three things render us strong,
Vine leaves, kisses and bay;
Yet is day over long.
Unto us they belong,
Us the bitter and gay,
Wine and woman and song.
We, as we pass along,
Are sad that they will not stay;
Yet is day over long.
Fruits and flowers among,
What is better than they:
Wine and woman and song?”
Yesterday evening, I sat in my living room leafing through “The New Oxford Book of English Verse”. Pausing at Keats, I read several of his poems, the last one among them being “Autumn”. “Autumn” is one of those poems which refreshes the jaded soul and causes the reader to gasp in wonder at the sheer beauty of the poet’s creation.
Having read Keats, I was minded to reproduce “Autumn” on this site. However “Autumn” is well known and rather than quote a much loved and well known poem, I have chosen instead to share Ernest Christopher Dowson’s poem, “Autumnal”:
“PALE amber sunlight falls across
The reddening October trees,
That hardly sway before a breeze
As soft as summer: summer’s loss
Seems little, dear! on days like these!
Let misty autumn be our part!
The twilight of the year is sweet:
Where shadow and the darkness meet
Our love, a twilight of the heart
Eludes a little time’s deceit.
Are we not better and at home
In dreamful Autumn, we who deem
No harvest joy is worth a dream?
A little while and night shall come,
A little while, then, let us dream.
Beyond the pearled horizons lie
Winter and night: awaiting these
We garner this poor hour of ease,
Until love turn from us and die
Beneath the drear November trees”.
I don’t often include work by other writers here. However I have chosen to include Cynara by the English poet, Ernest Christopher Dowson because it is, in my view one of the greatest poems in the English language. Dowson lived a short life (1867-1900), one full of drunkenness. He is perhaps best known for his wonderful poem, “They are not long the weeping and the laughter”, however he deserves to be better known for his other poems including the below.
Cynara
Non sum qualis eram bonae sub regno Cynarae
Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.
All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,
When I awoke and found the dawn was gray:
I have been faithful to thee, Cynara! in my fashion.
I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.
I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.