Tag Archives: literary criticism

When A Literary Critic Named Lee

When a literary critic named Lee
Came round to mine for tea,
I offered him some cake,
Which he failed to take,
And then he criticised my tea!

Advertisements

Instagram Poets

Having recently started an Instagram to promote my poetry, I was interested to read this article on Instagram poets, https://mashable.com/article/instagram-poetry-democratise-genre/?europe=true.

According to the article, Instagram has led to a significant growth in the number of young people reading poetry online thereby democratising the world of poetry. While some poets confine themselves to Instagram, others have graduated to bookstores.

Instagram poets are viewed by some literary critics as debasing/commercialising the poetic craft, while other people see the utilisation of Instagram by poets as a means of giving a voice to minorities.

I, personally view Instagram as one means of promoting my poetry. I began by posting on this site (kmorrispoet.com), moved on to ebooks and (later) print, and I’m now on Instagram. Any means of communication can, of course be used to post pap, however Instagram (or any other medium) can also be utilised to promote work of genuine literary merit. To me anything which implants in readers a love of poetry can only be a good thing.

You can find my Instagram here, https://www.instagram.com/kmorrispoet/

What Makes a Good Poem?

A good article entitled “What Makes a Good Poem”. I agree with most of what is written, particularly the below,
“Economy of language: In most cases, if you can express something clearly and fully in a hundred words, you shouldn’t use a thousand. Language that is concise
is more memorable and resonates more deeply than verbiage, which tends to feel messy”.

I have often read a poem and thought that, had it been shorter, the work in question would have possessed greater impact.

To read the article please visit, https://www.writingforward.com/poetry-writing/what-makes-a-good-poem.

Today is Author’s Day

On local radio today I learned that November 1st is National Author’s Day, https://www.daysoftheyear.com/days/authors-day/. I must confess to not having heard of this celebration until early this morning and being intrigued did a little digging which turned up the above link.

From the above, it appears that Author’s Day is an American celebration (it was certainly started in the USA). However given that it was mentioned on a (UK) local radio station, this celebration would appear to have crossed the Atlantic.

I would be interested to know whether any of my readers has any additional information regarding Author’s Day?

Kevin

“Not Our Kind: the Problem of Book Reviewing Through Tribal Identification”

https://freebeacon.com/culture/not-our-kind/.

The above article is worth a read and is self-explanatory. As for the poem which sparked the article (which is linked to from within the piece), from a personal perspective the literary work is not particularly to my taste. However the attacks on the poet, Anders Carlson-Wee), which are detailed in the article, appear to me to constitute a gross over reaction to what he wrote and I must confess to being somewhat surprised by the fulsome apology of the periodical which published it.

The poet subsequently apologised for the poem and was (again” criticised for saying that the comments received where “eye-opening”, the criticism being predicated on the fact that blind people can not see and, therefore the language being construed as “ableist”. As someone who is registered blind I have no problem with the use of terms such as “eye-opening”. Indeed I have used this term myself and also frequently say to friends or acquaintances “see you around”, by which I mean not that I will (literally) see them, but that our paths will cross again.

Ultimately any work of literature should be judged on its literary merits not whether it offends a particular community and/or individual. Writers should not be constantly thinking could what I am writing possibly cause offense? If we go down that road we risk a stilted literary environment in which I don’t wish to live.