Featured post

Great Feedback On My “Selected Poems”

I was delighted to receive the following email earlier today:

“Dear Mr Morris,
I am writing to tell you that your poems in “The Collected Poems of K Morris” that you gave me on the train on my way to college are exceptional. You might not remember me but I am the girl doing politics and history that you met on the train and gifted your amazing book to. I have always been interested in writing poems and therefore you have really inspired me to carry on my interest and write some poems of my own. I would really like to thank you for gifting me your book and inspiring me to continue writing”.

The Selected Poems of K. Morris

“The Selected Poems of K Morris” can be found here https://www.amazon.co.uk/dp/B07WW8WXPP/ (for the UK), and here https://www.amazon.com/dp/B07WW8WXPP/. (for amazon.com customers).

(Please note, I have not included the young lady’s name in order to protect her privacy).

I Started Early – Took My Dog, by Emily Dickinson

I have recently subscribed to the Poetry Foundation’s Audio Poem of the Day. The poem for Monday 6 July is Emily Dickinson’s “I Started Early – Took My Dog”, https://www.poetryfoundation.org/podcasts/75386/i-started-early-took-my-dog-656.

To me, Dickinson’s poem is full of erotic imagery:

“But no Man moved Me – till the Tide
Went past my simple Shoe –
And past my Apron – and my Belt
And past my Boddice – too –

And made as He would eat me up –
As wholly as a Dew
Opon a Dandelion’s Sleeve –
And then – I started – too –

And He – He followed – close behind –
I felt His Silver Heel
Opon my Ancle – Then My Shoes
Would overflow with Pearl –

Until We met the Solid Town –
No One He seemed to know –
And bowing – with a Mighty look –
At me – The Sea withdrew –”.

The above could be read as a description of the sexual act. In particular the poem’s ending, “the sea withdrew” does, I think need no further comment from me.

Dickinson was a deeply religious lady. Yet religion and the erotic are not mutually exclusive. But perhaps my interpretation is wrong, and the poem is what it says it is, a description of a woman’s trip (real or imagined) to the sea, and how the tide nearly overwhelmed her.

I would, as always be interested in the views of my readers.

Your Chance to Win a Signed Copy of “Light and Shade: Serious (and Not so Serious) Poems” by K Morris

I am offering my readers the chance to win a signed paperback of my recently released poetry collection, “Light and Shade: Serious (and Not so Serious) Poems“. In order to be in with a chance of winning a signed copy of “Light and Shade”, please answer the following, what is the title of the poem from which the below lines come:

“So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.”

The rules:

1. Only one signed copy of “Light and Shade” is available.

2. The first person to email me with the correct answer wins a free, signed copy of my book.

3. Please do not answer the question in the comments at the foot of this post. Please send your responses to, kmorrispoet (at) gmail dot com. The address is rendered in this manner to defeat spammers.

4. Please put “Competition to Win a Signed Paperback of Light and Shade” in the subject line of your email.

5. The competition will close at 12 pm on Saturday 11 July. Any entries received after this will not be considered.

You can find the paperback edition of “Light and Shade” here, https://www.amazon.com/dp/B08B37VVKV/. My book is also available as a Kindle download and can be found here, https://www.amazon.com/Light-Shade-serious-not-poems-ebook/dp/B08B4X3GVX/.

Super Saturday?

On Saturday 4 July, (the first day on which pubs in England reopened), the so-called “Super Saturday”, I went to my favourite local pub with friends. For anyone who isn’t aware, the pubs (along with restaurants and many other venues) closed in March, due to an order from the government, the instructions being designed to prevent the spread of COVID-19.

On entering the pub, my friend and I had our temperatures taken by a young woman. Then, our temperatures being normal, we sanitised our hands with sanitiser. Following this “new normal”, my friend and I where conducted to a table, from where we ordered our drinks.

Anyone familiar with the British pub may well have visions of people standing or sitting around the bar, chatting, reading newspapers or swearing at the television when their favourite team misses a chance to score a goal! Sadly, under “the new normal”, this has been replaced by the rule that customers may not congregate at the bar, and must be served at a table which, following their departure will be sanitised by pub staff.

Whilst it was good to catch up with friends (another friend and his wife joined us later), I missed the mingling which is part and parcel of the traditional English pub. There was no more going up to the bar and exchanging banter with regulars, nor could one (officially at least) invite someone who was not part of the original party to join your table.

The young woman serving us (the same lady who had taken our temperatures) was wearing a mask. Whilst I can, of course understand her reasons for doing so (to protect against the possibility of contracting or passing on the virus), I couldn’t help thinking how she would cope on a baking hot summer’s day!

If you read the reports of “Super Saturday” you will, no doubt come across stories of “drunks not socially distancing”. All I can say is that neither my friends or I witnessed any such behaviour. Indeed the pub was rather quiet, perhaps owing to the fear of contracting the virus which does (I know through conversations with people) pray on the minds of some.

Whilst I was delighted to enjoy a few pints in the company of friends, I felt a sense of sadness at the sanitised atmosphere. We have, I fear lost something, I hope not permanently. We have lost the natural vibrancy of the traditional British watering hole. We have lost the stopping to chat to old acquaintences at the bar as we order our drinks. We have lost the ability (at least officially) to invite strangers to join us for a drink at our table. All this may be necessary, but it is still a loss and there is no getting away from that fact.


Poets Anonymous

On the evening of Friday 3 July, I spent a pleasant couple of hours participating in a poetry reading organised by Poets Anonymous on Zoom, http://www.poetsanon.org.uk/.

Poets Anonymous organises poetry readings. Prior to the pandemic these took place in and around London, (many of them in Croydon). However, since the outbreak of COVID-19 events have moved online. The group also sends out emails to interested people regarding poetry matters, including competitions and opportunities for poets to have their work featured.

I greatly enjoyed listening to other poets reading their work, and reading several of my own poems from “The Selected Poems of K Morris”, and “Light and Shade: Serious (and Not so Serious) Poems”. One of the poems read by me is entitled “In This Old Familiar Wood”, and runs thus:

“In this old, familiar wood

I take my hood

Down, just

In time for the rain.

I shall not put it up again.

Thoughts of lust,

Of lost love,

And friendship I shall retain

For a while. But this wood,

And the rain,

Shall remain.”

(“In This Old Familiar Wood” can be found in “Light and Shade: Serious (and Not so Serious) Poems”, which is available in paperback and Kindle, and can be found here, https://www.amazon.com/dp/B08B37VVKV/.

Leigh Who Needed Money

When a young lady named Leigh
Said, “I’ll be honest with thee.
My sweet darling honey
I need some money”.
I said, “go ask a bee!”.

Of Poetry and Felines

Following on from my post of 1 July, https://kmorrispoet.com/2020/07/01/poet-kevin-morriss-interview-on-the-world-poetry-reading-series-is-due-to-be-aired-at-9-pm-uk-time-on-thursday-2-july/, I am pleased to announce that a podcast of my interview on Vancouver Co-Op Radio’s the World Poetry Reading Series is now available and can be found here, http://www.coopradio.org/content/world-poetry-caf%C3%A9-96.

My interview starts approximately 20 minutes into the podcast, and runs for some 15 minutes.

I listened back to my interview using Google Chrome, so know that Chrome works. However, as is so often said, other browsers are available!

During the course of the podcast, you will hear the interventions of Tommy the cat. He did, I think enjoy my poems, or perhaps his mews where his way of saying, “is there not something more interesting I could be doing, than listening to a middle-aged poet reading his poetry!”.

Poet Kevin Morris’s Interview on the World Poetry Reading Series is Due to be Aired at 9 pm (UK Time) on Thursday 2 July

As explained in this post, https://kmorrispoet.com/2020/06/21/poet-kevin-morris-to-be-interviewed-on-vancouver-co-op-radios-the-world-poetry-reading-series-on-thursday-25-june-2020/, I was due to be interviewed by Ariadne Sawyer of the World Poetry Reading Series concerning my poetry and, in particular my recently released collection, “Light and Shade: Serious (and Not so Serious) Poems“, over Zoom on Thursday 25 June.

The interview duly took place, and will (technology permitting) be broadcast at 9 pm (UK time), on Thursday 2 July.

The World Poetry Reading Series can be found here, https://worldpoetry.ca/. My interview takes place approximately 20 minutes into the show, and can be listened to online, via smart speakers such as Amazon Echo, or on digital radio.



When I dated a young lady most curvaceous
Who said, “good sir, you are very sagacious!”.
And I said, “thank you so much.
With young ladies, I always go dutch”.
She said, “I can be more than flirtatious …!”