I solace seek
In the breeze
That does speak
Amongst these
Ancient trees.
Or do the trees
Themselves speak?
Lovers make free
Midst the budding tree
And in love’s dance
Perchance
Do not hear
The breeze
That passes near.
I solace seek
In the breeze
That does speak
Amongst these
Ancient trees.
Or do the trees
Themselves speak?
Lovers make free
Midst the budding tree
And in love’s dance
Perchance
Do not hear
The breeze
That passes near.
There was a young man called George
Who did on baked beans gorge.
He made a sound
And all around
Deserted that young man called George!
They are hanging him high.
I sigh
And walk on by
Disdaining to catch my neighbour’s eye
On Monday 9 July, I ran into an acquaintance. After exchanging the usual pleasantries, he remarked on how much he had enjoyed reading my collection of poems, “My Old Clock I Wind and Other Poems”. It is a great feeling to receive a compliment, particularly when it is unsolicited. While the gentleman in question has not (to my knowledge) written a review, “My Old Clock” has received several reviews, including the below, from Audrey Driscoll:
“The first poem in this collection of 74 contains the theme that pervades the entire work – the relentless passage of time. Morris’s verses are products of reflection and mature thought, expressing both resignation and a zest for life.
This poet is not fighting advancing age and eventual death, but lives with an intense awareness of the temporary nature of human lives and preoccupations. “Passing By,” for example, sums this up perfectly in only three lines.
The fleetingness of beauty and attraction are pictured in “Chiffon” and “Dark and Light.” As sadness frequently follows delight / Mourn not, for there can be no dark without the light. The poet’s mixed feelings about his relationships with others are exemplified by “Shall I Sit Out This Dance?” whose last five lines are especially poignant. “What Is A Double Bed?” further explores love, joy, and pain.
Humour is not absent from the collection. “Howling At the Moon,” “Count Dracula Went Out To Dine,” and “It’s Raining Out There,” along with a group of limericks, celebrate the absurdities and quirky angles of life.
A certain amount of social commentary appears in “Crack” and “Girls in Unsuitable Shoes,” which has a touch of wry brilliance.
Climate change is acknowledged by the short poem “Melting Ice.” Of the poems that question progress and technology, perhaps the finest is “Man’s Destiny,” which contrasts the poet’s enjoyment of life’s small pleasures with grandiose aspirations and predictions.
Most of the poems feature pairs of rhyming lines – not rhyming couplets, exactly, because the lines often differ in length and metre. The effect is one of ticking, bringing to mind the clock of the title. In densely packed sequences of short lines, this rhyme pattern can become a bit tedious. “Understanding,” which features a more complex rhyme scheme, is a notable departure. Morris’s poems are distillations of thoughtful life experience, and thus best savoured slowly, like good wine.
Readers will find something here to match any mood, to celebrate life or commiserate with sorrow”.
(For the above review please visit, https://www.amazon.co.uk/gp/customer-reviews/R1S1VEBI73BGP1/ref=cm_cr_dp_d_rvw_ttl?ie=UTF8&ASIN=B0735JBVBG.
You can find “My Old Clock I Wind” in the Amazon Kindle store here, http://amzn.eu/gelHFDE. It is also available from Moyhill Publishing and can be found here, http://moyhill.com/clock/).
There was a young lady called Claire
Who had very long blonde hair.
At nesting time
I wrote a rhyme
For the birds that nested there …
She
Is not for me.
Lissome as a fawn.
A work of art.
Many a heart
Will be torn
Apart
By her.
I swear
That I will not go there,
Not that she would be interested anyway!
But stay,
She looks this way …!
I know a young lady called Lou
Who composed a poem about a shoe,
As my good friend Jane
Cudgeled her brain
Over her husband’s missing shoe …
There was a young lady called Lou
Who composed a poem about a shoe.
While drunk on cheap wine
All seemed fine
And now I have her shoe …
There was a young lady called Leigh
Who tied me up at 3.
At half-past four
I said, “no more,
Tis time for the vicar’s tea!”.
There was a young lady called Leigh
Who tied me up at 3.
At half-past 4
I said, “no more!”.
But she did not agree!
Tired.
Undesired.
Would I do it again?
This chain
I make
I can not shake
(Though it causes me pain)
So I return again
And again …
Regret is yet
Another she
Who can not love me.
And, you see
I knew it was so all along
But the strong chain
I made bound
And I found
Myself there again
With a shame
I will not name.