Tag Archives: poets

Should Poets Explain Their Poetry?

How far (if at all) should a poet explain his (or her) work? I have always been of the view that poets should leave it to the interpretation of readers to determine what their verses mean. To explain all risks treating readers like young children who must be spoon fed. Furthermore, detailed explanations by the poet remove the joy experienced by many lovers of poetry of reaching their own conclusions concerning a poem’s meaning.
Recently, 2 people have expressed the view (on 2 separate occasions in face-to-face conversations) that explanations as regards a poem’s meaning (or what caused me to write it) would be helpful. During the 2 occasions on which I have given poetry readings, I have included a brief explanation concerning the poem’s origins. However I remain of the view that to furnish chapter and verse in respect of a poem’s meaning detracts from the enjoyment of reaching one’s own (often unique) conclusion. One gentleman with whom I discussed the matter suggested that notes could be appended to poems concerning their origin and/or meaning with a caveat that those who wished to come to their own conclusion should skip them. While this is an interesting idea, I don’t want to turn into a didact, I am, after all a poet not a teacher.
As always I would be interested in my reader’s views.

Kevin

An Unsuitable Attachment

An unsuitable attachment
Leads on to detachment.
The slow drip, drip
Of anoyances strip
Bare
Any pretence that either party care.

Beware
For the perfect bust
Engenders lust
Which may be for true passion mistaken.

When dalliance is over, the forsaken
Heart Cries
Out for love, and seeks joy in another’s eyes.
‘Tis frequently a temporary reprieve
For lonleness will oft times cause man to believe
That desire is love.

The gods above
Shrug,
For they have seen it all before.
And well know
That further woe
Is in store.

The Play

Sitting on a bench in the school playground
With children milling all around.
Yes, I remember it as though it was yesterday,
The actors came to perform a play.
Me weak
With a longing only half understood.
Unable to speak
And gawkishly shy,
I would
Die
Where I to address
The girl in the summer dress.

I recollect nought of the play
Yet thoughts of the actresses with me stay.
With age
‘Tis said one becomes a sage.
Today
Different actors perform upon the stage
And now my hair is grey
I pay
To see the players play.
As with the actors of yesterday
They too, will fade away.

Burning

The fire
Rages
In stages.
At times it burns low
And I know
Sleep
Will creep
Into my room,,
Her sweet perfume
Rendering me
Free
Of desire.

Yet at other times the fire
Doth burn
Bright.
My thoughts turn
To delight,
Which slippery as eels
Itself reveals,
Then, a fleeting satisfaction seals.

Midnight steals
Away.
The hot coal
In my soul
By day
Burns low
Yet I know
The glow
Is always there
And will, once more, flare

Squire and Peasant

I see a vanished land
Where the squire held command
Over the countryside,
Before the tide
Turned
And paternalism was spurned,
Or merely ebbed away
Ushering in a new day.

To hounds he rode
Or through his estate strode
In search of grouse or pheasant.
With countenance pleasant
Or severe
He ruled his peasants
Far and near.

Sometimes a thinker
And often a drinker
He felt a connection with the whole
Estate, his soul
Was as one
with generations long since gone.
Frequently inarticulate
He did hate
The untried
And cried
Out for the preservation of the old ways.

Nothing stays
Unaltered.
The rock-like squire faltered
As the wind of progress
That does redress
All ills, brought salvation
To the nation.
Now those who the price of everything know, hold command
While squire and peasant stand
Bemused, upon this altered land.

A review of my latest collection of poetry, “Lost in the Labyrinth of My Mind”

Thank you to Emma Lee for taking the time to read and review my latest collection of poetry, “Lost in the Labyrinth of My Mind”. You can find Emma’s review here, https://emmalee1.wordpress.com/2016/05/11/lost-in-the-labyrinth-of-my-mind-k-morris/.

To all those who hate

There is a quiet place out of reach
Of those who hatred preach.
They prate,
And understand to late
Or perhaps not at all
That pride comes before a fall.

Words meaningful as a harlot’s compliment fall
On the ear
Of men who hear, What they want to hear.
The truth clear
Is, I fear
To often lost, in sound and beer.

The fanatic’s words drear
Will Fill the empty soul
Of those who’s goal
Is the destruction of the whole
Liberal project,
To which They object
Without knowing why,
Then, pointlessly die.

Woman

What is a woman that she holds such power
Over men?
She is a delicate flower
Who when
Scorned
Reveals thorns
That prick
The hapless man to the quick.
Woman is a pussycat with soft furr
Giving off a throaty purr.
But those who dare
To stir
Her
Wrath she will, with polished claws tear
Apart.

Beware for the heart
In love given
May with stillettos be ridden
Over.
“You drove her
To it by your behaviour”.
“I am your saviour”
She will say.
And, as sure as night follows day
You will be begging the girl to stay
For her claws are now sheaved
And who would believe
That one with a face so fair
Could rend and tear?

In Search of the Ultimate

The search for the ultimate thrill
May chill
Or kill
The fickle heart.
Better to leave dark
Yearnings to art
Where they can do no harm,
Than down the primrose way start.

The charm
Of a thing
May oft times bring
A fleeting pleasure,
But come the set of sun
When our fun is done
The sting
We feel, then repent at leisure.

“Knock, knock! Never at quiet. What are you? But this place is too cold for hell. I’ll devil-porter it no further. I had thought to have let in some of all professions that go the primrose way to the everlasting bonfire”.
Macbeth. Act 2, Scene 3.