She expertly fits
A balloon.
Sits. Wriggles hips.
And soon
His fun
Is done.
She is his confessional
And as a professional
Listens for a while.
Then, with a smile,
“Darling that was fun.
Now I must run”.
She expertly fits
A balloon.
Sits. Wriggles hips.
And soon
His fun
Is done.
She is his confessional
And as a professional
Listens for a while.
Then, with a smile,
“Darling that was fun.
Now I must run”.
The Irish Times reports that the Oxford, Cambridge and the Royal Society of Arts (RSA) exam board has removed the Irish poet Seamus Heaney from it’s exam syllabus along with other writers from Ireland. In addition, the English poet Wilfred Owen’s Anthem for Doomed Youth and Philip Larkin’s An Arundel Tomb have been removed, as have works by other English poets including William Blake.
The OCR’s Chief Executive Jill Duffy states the reason for the changes is to “reflect diversity and inclusivity not just in our qualifications, but in the material we produce to support their delivery, as well as in the assessment of our qualifications”.
I have for years laboured under the misapprehension that the purpose of the subject of English literature is to teach students about the best of our literary cannon. It never crossed my mind that it’s purpose is to enhance “diversity and inclusivity”. Henceforth I shall read books with these aims in mind, rather than with the aim of furthering my appreciation of the richness of English literature.
Of course, works of literature do engage with social issues. For example Harper Lee’s To Kill a Mocking Bird addresses the iniquity of racism in the southern United States. However, Lee’s work has been studied because it is a great work of literature that deals with racism, not because it promotes “inclusivity and diversity”, although, of course a side effect of reading To Kill a Mocking Bird may well be to kindle in it’s readers a feeling for the deep injustice of the racial prejudice in the American south.
Larkin’s An Arundel Tomb and Owen’s Anthem for Doomed Youth are both fine poems. I remember studying the latter whilst at school and coming across the former some years later. To drop Larkin, Heaney and Owen seems perverse and retrograde. Larkin and Owen are, in particular integral to the cultural fabric of the British aisles and I have sympathy for the Education Secretary’s description of the dropping of these poets as “cultural vandalism”.
You can read the article in the Irish Times Here https://www.irishtimes.com/culture/books/2022/07/02/irish-writers-dropped-from-uk-school-curriculum-in-move-to-increase-diversity/. Larkin’s An Arundel Tomb is available on the Poetry Foundation’s website here https://www.poetryfoundation.org/poems/47594/an-arundel-tomb. Wilfred Owen’s Anthem for Doomed Youth is also available on the Poetry Foundation’s website and can be found here https://www.poetryfoundation.org/poems/47393/anthem-for-doomed-youth. For information on Seamus Heaney please see the Poetry Foundation’s website here https://www.poetryfoundation.org/poets/seamus-heaney.
As always I would be interested in the views of my readers.
On hearing my clock chime
I think on Father Time.
I touch my grey hair
And wish for a woman ere
My ageing clock does finally stop
Ending time and my passing rhyme
I know a young lady named Moore
Who has a reputation for being pure.
She came round at midnight
With her friend Miss White,
Who’s reputation is as pure as Moore …
When girls visited lonely men
At the height of lockdown,
Some neighbours did frown
And no doubt say,
“Those men need to pay!”.
But perchance when the dance
Of fun was done
They did indeed pay …