Some vampire humour
Some vampire humour
There was a young lady named Alice
Who lived in the great Crystal Palace.
She was a naughty little minx
And into all kinds of kinks.
But Alice, she had absolutely no malice!
On 24 May, I made an announcement regarding my forthcoming poetry collection (please see here, https://kmorrispoet.com/2020/05/24/my-forthcoming-poetry-collection/).
My book is in the process of being proof read. And, as mentioned in the above post, I hope to be in a position to publish it by the end of June or at the beginning of July.
As a taster, I have included below a recording of me reading one of the poems which appears in my new collection.
In spring
I heard
Birds sing
With such ecstacy
In a tree,
As I did pass
Along the woodland path.
They sang not For me.
Yet it filled my heart,
And I almost forgot
My art
In their, unconscious poetry.
When an extremely fat old Whig
Called a young Tory squire a prig,
His opponent gave a big smile
And said, “sir, wait a while
And I will feed you another fig!”.
This poem is included in my “Selected Poems”. “The Selected Poems of K Morris” can be found here
(for the UK), and here
(for amazon.com customers).
This poem is not currently included in any of my books
You say
That the aged
Should give way
To youth.
For the aged
Are from a bygone age
And have nothing to say
To youth.
You,in your early twenties,
So empty
Yet, so sure
That youth
Is the one and only truth.
Why should I engage
With a pencil jot upon a page
That a rubber, so soon obscures?
When a young lady named Rose
Said, “all flesh will, one day decompose”.
I said, “that prospect is fearful.
And you make me quite tearful,
As your standing right on my toes!”.
On 30 May, the blog Interesting Literature published a post entitled “10 of the most accessible poets in English Literature”, https://wp.me/p2WHCx-5Bm.
Amongst the poets mentioned are some of my own favourites, including Philip Larkin, the American poet Emily Dickinson, and Thomas Hardy.
Below are links to a selection of my favourite poems by Larkin, Dickinson and Hardy.
“Aubade” by Philip Larkin. Read by the poet himself, Aubade is a powerful examination of the poet’s fear of death, https://www.youtube.com/watch?v=IDr_SRhJs80
“Because I Could Not Stop for Death” by Emily Dickinson. Unlike Larkin in “Aubade” Dickinson does not see death as a threat which does, I think stem from her deep religious faith, https://www.youtube.com/watch?v=Am5O8_iCpmg
“The Darkling Thrush” by Thomas Hardy. Hardy’s bleak mood is contrasted with that of the joyful singing of an “aged thrush”, which causes the poet to ponder on how the bird can see “some blessed hope whereof he knew and I was unaware”, https://www.youtube.com/watch?v=QGY3DZH85O8
Should poetry be accessible? Certainly any poet who deliberately writes to be inaccessible would be a very strange creature indeed. However what is accessible to one is not accessible to another as, to some extent accessibility is in the eye of the beholder.
Poets also need to be cognisant of the danger of patronising (talking down to) their readers. Whilst working on my forthcoming poetry collection, I considered the need for footnotes. This question arose as in 4 instances I reference the work of long dead poets. My initial view was that anyone with access to Google (please note that other search engines are available)! could easily ascertain details of the poem/poet mentioned, meaning that footnotes where unnecessary. However, I came to the conclusion that adding a few footnotes was preferable to having my readers cursing me for assuming that they had knowledge not possessed by them. Consequently several footnotes appear at the end of my poems.
As to whether my work is accessible? only my readers can answer that question. And different readers will, I believe answer it differently.
(You can find my “Selected Poems” here, https://www.amazon.com/dp/B07WW8WXPP/. My forthcoming collection will, I hope be available in late June/early July).