Author Archives: K Morris Poet

Unknown's avatar

About K Morris Poet

The purpose of this website (kmorrispoet.com) is to showcase my writing. For details of my published works, please click on the 'About' page of my blog.

My Old Clock I Wind, By Kevin Morris is now available for purchase

I am delighted to announce that my collection of poetry, “My Old Clock I Wind and Other Poems” is now available, in both print and ebook formats from Moyhill Publishing.

To read a selection of reviews or to purchase “My Old Clock” please go to http://moyhill.com/clock/.

The book will soon be available on Amazon and I will post a link here once this is the case.

Kevin

Authors for Grenfell Tower

A very good cause.

Jessica Norrie's avatarWords and Fictions

I’ve never liked tower blocks. I had a friend who lived on the 13th floor of what used to be called a “hard to let” block in east London. She loved the view from her balcony, and kept flowerpots tethered in five unblowoffable ways to the railings, but even stepping on to it made me feel weak at the knees. Perhaps my knees were already weak when I arrived, because I always used to walk up the stairs. The lift was creaky and claustrophobic. Supposing it got stuck? Supposing someone scary got in it with you?

Fire 3 Cuttings from the “I”, “The Guardian” and the “Evening Standard”‘ June 17th & 19th 2017

Even posh tower blocks – skyscrapers, rather, penthouses, high rise living and the other more affluent synonyms – worry me. The only time I visited New York, I was less scared sleeping on the 34th floor than I’d anticipated…

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A couple of limericks

There was a young lady called Molly
Who purchased an expensive brolly.
Much to her dismay
The brolly blew away,
So she bought a shopping trolley!

—

There was a young lady called Holly
Who was extremely posh and jolly.
She married a man of lowly station,
Which caused her family much consternation,
But the vicar was fat and jolly!

How Not to Organise a Book Launch

This post acts as a timely reminder as regards the launch of my collection of poetry, “My Old Clock I Wind”, which will take place, at 6:30 pm on Wednesday 5 July, at the Railway Bell, Norwood, London, SE19.

emmalee1's avatarEmma Lee's Blog

Close and Lock the Venue

Nothing says “Go Away!” more than a venue that’s not only closed (lights off, no signs of movement inside) but locked shut, unless you also:

Fail to Display Posters

Not only is the venue closed and locked shut but there’s no poster or sign on the door that the event is going ahead. In fact, the whole set-up screams “Cancelled!”

Even if warm and dry, it’s not a good idea to leave your audience hanging around outside, especially if there’s nowhere to sit because some people can’t stand for long.

Don’t tell the Audience which Entrance will be Open

For security or logistics, it might be that only one entrance will be used for the event. However, if the audience is used to all entrances being open or regularly use one of the entrances which will be shut on the night, a poster/sign would help.

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Stay in a Cornish writers’ retreat – full bursary available for low waged writers

bridget whelan's avatarBRIDGET WHELAN writer

West Cornwall writers retreat

Brisons Veor wants applications from writers for two fully-bursaried places for a week’s residency in 2018 at their centre in west Cornwall. The bursaries (worth £275 each) are open to writers who are low-waged and working towards a collection of poetry or short stories, a novel or a play.

You have to send a sample of your writing with your application: either one chapter of a novel, three poems, a short play or one act of a play, OR a short story. Applicants’ project proposals should be detailed and specific (up to 100 words) and they are asked to explain their financial situation and their need for a bursary (no more than 50 words).

The deadline is26 August 2017.

The Brisons Veor application form can be downloaded at http://brisonsveor.org.uk/apply/ and emailed toadmin@brisonsveor.org.uk with the words ‘writers’ bursary’ in the subject line.

All applications will be read by…

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Were we always to say what we mean

Were we always to say what we mean,
Then the well oiled machine
Would falter
And things would alter,
For a single lapse
May lead to a collapse
Revealing the hard
Behind the façade.

Many a writer does hide
Inside
His art.
His secrets oft go to the grave,
Though the brave
Cry over art.