‘Season of mists and mellow fruitfulness’: John Keats wrote many a memorable and arresting opening line in his short life, but his opening to his great poem ‘To Autumn’, one of his finest odes, is perhaps his most resonant of all. On one level a straightforward evocation of the season of autumn, ‘To Autumn’ (or ‘Ode to Autumn’ as it is sometimes known) is also a poem that subtly reflects the early nineteenth-century context in which it was written. Such contemporary allusions and references require closer analysis, but before we get to them, here is John Keats’s great autumnal poem.

To Autumn

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;

I have, for as long as I can remember, taken pleasure in nonsense poetry or verse. But what, exactly is nonsense poetry?

The online edition of The Oxford Dictionary defines nonsense poetry as follows:

NOUN

list of 1 items

(Originally) whimsical or nonsensical verse; (later) the genre of poetry that includes nonsense verse such as limericks, as well as looser poetic forms”.(https://en.oxforddictionaries.com/definition/nonsense_poetry).

The best known (and loved) writer of nonsense verse is the 19^thcentury english poet and artist Edward Lear,(https://en.wikipedia.org/wiki/Edward_Lear).The best known of Lear’s poems is, undoubtedly the wonderful “The Owl and the Pussy-Cat”,(https://www.poetryfoundation.org/poems/43188/the-owl-and-the-pussy-cat)),in which the poet describes the journey of these 2 creatures “in a beautiful pea green boat” “to the land where the bong-tree grows”, where they are married “by the turkey who lives on the hill”. Of course they where, for…