Monthly Archives: April 2018

I Challenge You To…

Ester Chilton has been kind enough to reproduce several of my limericks in the below post.
I particularly enjoyed Keith Channing’s limerick on the subject of lies (which can be found below).

Esther Chilton's avatarEsther Chilton

This week’s challenge is to write a story, limerick or poem on the subject of:

Lies

Last week’s challenge was to write about cake. You sent in some great pieces. Here are a few:

First up is the brilliant Keith Channing:

When my daughter came home with her beau
He asked, “Have you any gâteau?”
I said, “We ain’t posh
And we don’t have much dosh.
You could even say we knead the dough.”

Here are two from the talented Kevin:

There was a young man called Blake
Who was extremely fond of cake.
He went out on a date
With a girl named Kate,
Who went and ate all the cake!

There was a young lady named Leigh
Who invited me round for tea.
We ate lots of cake
But when I tried to partake
She kicked me out at three!

Please visit byindiablue‘s…

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Remains of Poet Sameul Taylor Coleridge Rediscovered In 17-Century Wine Cellar

The remains of the poet Samuel Taylor Coleridge have been rediscovered in a 17th-century wine cellar, which is now part of the crypt of a church, https://www.theguardian.com/books/2018/apr/12/samuel-taylor-coleridge-poet-remains-rediscovered-wine-cellar.

My favourite Coleridge poem is “Kubla Khan” which is reproduced below:

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round;
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher’s flail:
And mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean;
And ’mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight ’twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Earlier this evening I came across a blogger (who shall remain nameless), who remains convinced that the British had something to do with the Salisbury poisoning and the Russians are, basically innocent of this horrendous crime. It is tempting to think that some people have been at “the honey-dew” or have been taking something rather stronger than “the milk of paradise”. There loyalty certainly is not to Britain or the democratic system under which we are privileged to live in these islands.

As “The Guardian” states, “The international chemical weapons watchdog has backed the UK’s findings on the identity of the chemical used to poison the former Russian spy Sergei Skripal and his daughter Yulia in Salisbury”. https://www.theguardian.com/uk-news/2018/apr/12/novichok-used-in-spy-poisoning-chemical-weapons-watchdog-confirms-salisbury

Light

When the lights burn
Evil spirits turn
Away
Or so they
Say.

But what of the inner dark
Where there exists no spark
Of healing light
To fright
The night
Away?

No light of day
Can get inside
The heart
Where the dark
Does hide.
And who can trace
Behind the bright
Face
The night?

(Written in response to https://sarainlalaland.com/2018/04/11/i-challenge-you/).

How to Create Your Own Personal ‘Writing Bubble’

Much of my writing takes place in my spare room, which I dignify with the name of study. I have also written in my mum’s garden, in Liverpool and in my lunch hour while in the office. My favourite “bubble” is my study, in my home in Upper Norwood, high up on a hill.

Meg Dowell's avatarMeg Dowell Writes

What comes to mind when someone asks your go-to writing spot? How about your ideal writing environment? Do you thrive beneath the flow of conversation, or alone in a noiseless room? Do you have a designated table? Perhaps a favorite room?

I’m lucky enough to have an office with a door that I can close in the evenings and on Saturdays. It’s a lot easier to separate work from play when there’s a physical threshold to step over. But even then, I need my phone on silent and flipped facedown. I either need complete silence or a podcast, depending on the type of writing I’m doing. I need my cat to be fed and a mug of coffee next to me. Maybe a snack.

This is my bubble. Only writing can happen here. I don’t text or read, I (usually) don’t check Facebook. Whether there’s quiet or background noise, once…

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Learning Poetry By Rote

An amusing article concerning the merits of learning poetry by rote, http://www.dailymail.co.uk/debate/article-2260419/Ill-vote-learning-poetry-rote.html. (The author is not in favour of said practice). As one of the commenters states, in the comments following on from the piece, much of the poetry I can recall is that from which I derived pleasure, for example Dowson’s “They Are Not Long The Weeping And The Laughter” and Beloc’s “On An Election”.

As someone or other once wrote:
There was a young Man called Moat
Who learned a poem by rote.
It was somewhat long
And concerned a thong
Or perhaps it was a goat!

There Was A Young Lady Called Jane

There was a young lady called Jane
Who boarded the wrong train.
She jumped off in a huff
Yelling “I have had enough
And I can’t stand the rain!”.

There was a young lady called Jane
Who boarded the wrong train.
She jumped off in a huff
Which was really quite tough
On account of the moving train!

The Cane

“Wait here!” he said, his hands clenching and unclenching as he strode towards the door. There was a crash and he was out in the open air.
He rushed down the garden path and, wrenching open the tool shed door, grabbed several thick bamboo canes and, not bothering to close it behind him, hurried back to the building where the objects of his ire awaited his return.
He found that thin canes had no lasting effect. What was needed was real discipline and he was determined that, come hell or high water those ungrateful offspring he had so carefully nurtured would behave.
“I’ve warned you until I’m blue in the face but you won’t listen! All the love and care I’ve devoted to you and you repay me by slouching on the ground like that. Right, here goes” he said brandishing the thick bundle of bamboo. Bending down he grasped one of the many large plants which had become detached from the frame which had, hitherto held them in place …

Free to enter poetry and prose competition for under-represented writers

bridget whelan's avatarBRIDGET WHELAN writer

chemistryFounded in 2013, the Creative Future Literary Awards are the UK’s only national writing competition and high profile awards ceremony for under-represented writers in the UK.

Is this poetry and short fiction competition for you? Creative Future defines under-represented writers as people who feel their opportunities are limited as a result of:

  • having a mental health issue

  • having a physical disability

  • having a long-term limiting illness

  • having a learning disability/ASD/ADHD

  • having a sensory impairment

  • having a substance misuse issue

  • being homeless or in temporary accommodation

  • being a survivor of abuse

  • being a care leaver

  • being long term unemployed

  • being a carer

  • being an offender or ex-offender

  • being part of the BMER/Traveller commuunity

  • being part of the LGBTQ+ community

  • being an older person (65+)

If you have any questions or concerns about whether you are eligible, Creative Future are keen for you to get in touch. Call on 01273 234 780 or email info@creativefuture.org.uk

medicine world-1185076_640Submission

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