Banning Books

A couple of weeks ago, I fell into conversation with a librarian. During the course of our conversation she mentioned that the library does not stock books which their readers might “find offensive”. This exchange got me thinking about how one defines what constitutes “offensive”, and whether something being so classified is a sufficient reason for not allowing it on to the library’s shelves.

The great English author and poet, Rudyard Kipling is loved by people of every race and creed. Yet a number of his writings would, in today’s society be considered “offensive” by many. Take, for instance his poem “The Stranger” which begins thus:

“The Stranger within my gate,
He may be true or kind,
But he does not talk my talk –
I can not feel his mind.
I see the face and the eyes and the mouth,
But not the soul behind.

The men of my own stock
They may do ill or well,
But they tell the lies I am wonted to,
They are used to the lies I tell.
And we do not need interpreters
When we go to buy and sell”. (http://www.kiplingsociety.co.uk/poems_stranger.htm”.

The message of “The Stranger” is, in effect that people of different races should not mix (I.E. the black should stick to the black, the Asian to the Asian and the white to the white”. This is not a view I share and I can understand why many people find Kipling’s sentiments highly offensive.

“The Stranger” can be found in any complete collection of Kipling’s poems. Given that most people (including me) find the sentiments expressed in the poem offensive, should libraries not stock complete collections of Kipling’s works on the grounds that readers may be offended by them?

To answer the above question we need to stand back and look at “The Stranger” from the perspective of the time of it’s composition. The poem was written in 1908, at a time when many Englishmen (of all political persuasions) held views which we would, today regard as racist. Kipling believed that Britain had a duty to look after what he (in “The White man’s Burden” terms as “lesser breeds without the law”. This was not (as with the Nazis), a belief that those with white skin had the right to enslave or exterminate those of darker skin. Rather it was a paternalistic (and to us today) patronising view. It was not, however an uncommon opinion (as stated above) and was (as previously mentioned), widely held by Europeans at that time.

To banish “The Stranger” from library shelves would be a deeply illiberal act. Educated adults can employ their judgement and understand the historical context in which “The Stranger” was written and (without in any way justifying the message of the poem) appreciate the musicality of “The Stranger”.

One of the problems with defining what is offensive, is that what I may find offensive my friend Jo Bloggs may find perfectly acceptable. For example some religious people wish to see books which (in their words) “promote homosexuality” banished from libraries. They regard gay sex as immoral and believe that those who engage in it (or, via books, the media etc “promote”) it are ungodly. This is not a view I share, however those holding it are entitled to do so. What they are not entitled to do is to foist their opinions on others. If you don’t approve of a particular book, don’t read it, but don’t dictate to others what they can and can not read.

In conclusion, adults should be treated as such and not as children who need to be protected from reading something which may “deprave”, “offend” or “corrupt” them. Its perfectly possible that some of the views which are, today mainstream may, in the future be considered as “offensive”. I trust that, if this does transpire, that the librarians of the future will treat adults, as adults and not as children.

I would, of course be interested to hear your views and, in particular those of any librarians who may read this post.

Kevin

Of Beds And Such

What is a double bed?
A place where the dread
Of what comes after this brief life
Is momentarily lost in the arms of mistress or wife.

What is a double bed?
A place where the lone head sleeps
And sometimes weeps.

What is a double bed?
A place of joy and pain,
Where we return again and again
Until we are slain
By the final sleep.

(“What Is A Double Bed?” can be found in “My Old Clock I Wind and Other Poems” by K Morris”, which is available here, https://www.amazon.com/dp/B0735JBVBG/).

There Was A Young Man Named Glyn

There was a young man named Glyn
Who, wishing to destroy the establishment from within,
Addressed the Carlton Club
From his bathtub,
But they still wouldn’t let him in!

There was a young man named Glyn
Who, wishing to destroy the establishment from within,
Addressed the Carlton Club
From his bathtub
Which delighted the ladies within!

Blind librarian David Faucheaux is Library Journal’s audiobook reviewer of the year

As a blind reader, (I read Kindle books using the text to speech facility), and a lover of audio books, I was interested to read this post. Several of my poetry titles are available via audible.co.uk and audible.com, making it easy for visually impaired readers (and others) to read/listen to them.

David Rothman's avatar

David Faucheux, a blind librarian who has contributed to TeleRead, is Library Journal’s audiobook reviewer of the year for 2018.

“David has an incredible enthusiasm for a wide range of genres and topics and never ceases to want to learn more and improve his writing,” LJ Media Editor Stephanie Klose wrote. “In addition, as LJ’s only visually impaired audio book reviewer, David’s feedback on user experience of various platforms, formats, and recordings is unique and invaluable.”

David tells LJ: “Audiobooks take me places and show me things I would otherwise never get to encounter. They see for me by their descriptions, their vivid word pictures, and lyrical prose. They befriend me when I’m lonely, educate me when I’m curious, and amuse me when I’m in a blue mood. I have always known I could pick up a book and for a time be in a better or at…

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Why I Hate and Love poetry – Is it the goat in me?

“Why I hate and love poetry – Is it the goat in me?”, is a long but rewarding read, https://sevencircumstances.com/poetry-and-lyrics/why-i-hate-poetry/

I Once Knew A Man Named Oak

I once knew a man named Oak
Who loved to laugh and joke.
But as he lay dieing
He took to crying,
So I told him a really good joke!

I once knew a man named Oak
Who loved to laugh and joke.
But as he lay on his deathbed
He softly said,
“This life ’tis a very poor joke”!

As I Sat Drinking

As I sat drinking
I fell to thinking
On how some lack inhibition
Which leads to perdition.

Too many a glass
Has led lad and lass
Astray. Yet the hay
Is sweet in summertime
And I have heard say
That there is more to life than rhyme.

The Class System in Arthur Conan Doyle’s “Sherlock Holmes”

This is an interesting post. I think the author has made some interesting points here as regards how Sherlock Homes (through his portrayal by Doyle) disparages upper class characters. However Holmes is also disparaging of lower class persons, for example in “A Scandal in Bohemia” he remarks to his friend, Dr Watson, “hence, you see, my double deduction that you had been out in vile weather, and that you had a particularly malignant boot-splitting specimen of the London slavey”. Of course Homes comment can be read in 2 ways. It can be construed as being purely tongue-in-cheeck or, alternatively one can view it as showing contempt for the “servant class”.

JesseKellum's avatarJB Kellum

Throughout the works of Sir Arthur Conan Doyle’s famous Sherlock Holmes stories, there is quite a bit of commentary concerning the social classes of the Victorian era. Whether Doyle was depicting Holmes as “upholding the status quo” of the time is a topic that is frequently debated because class inequality was a frighteningly real thing at the time. Women were often thought of as less intelligent than their male counterparts and there was a growing tension between the upper class and the middle and lower classes. Doyle also spends a good amount of time talking about a “criminal class” who are predisposed to take to a life of crime and often composed of people of the lower and working classes. This, by itself, would suggest that Doyle believed that poor people were destined to a life of crime, but I believe it’s a little more complicated than that. There are…

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