Monthly Archives: October 2016

Eadweard – A Story Of 1066 by Victoria (Tori) Zigler

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Title: Eadweard – A Story Of 1066
Author: Victoria Zigler
Release date: 14th October 2016

Book description:
“It’s October 14th 1066, and King Harold’s Saxon army is about to go in to battle against Duke William’s invading Norman army. Among the ranks of the Saxons are two boys who shouldn’t be there: Eadweard, and his best friend, Cerdic.

Daydreams of becoming great war heroes had the boys convinced to disobey their Fathers and go to war, despite the possibility of punishment if they were caught. Now it’s time for the battle to begin, and Eadweard is starting to wish he’d stayed home after all. But it’s too late to turn back now, and Eadweard finds himself witnessing the events of the battle that would later be called The Battle Of Hastings, and learning how different from his imaginings the reality of war actually is.

*Note: This is a work of fiction, which is based on actual events. It tells the story of the battle between King Harold’s Saxon army and Duke William’s Norman army, which took place a short distance away from the town of Hastings on October 14th 1066, in a place now known simply as Battle. Though this is a children’s story, the recommended reading age for this book is eight years and over, since it is a story that takes place on a battlefield, and therefore contains scenes of violence that are not suitable for younger, or more sensitive, readers.”

Buy links:
Smashwords
Barnes & Noble
Apple iTunes / iBooks
Also available from other sites Smashwords distributes to.

Paperback coming soon!

A Short Analysis of T. S. Eliot’s ‘The Burial of the Dead’

InterestingLiterature's avatarInteresting Literature

A reading of the first part of The Waste Land

‘The Burial of the Dead’ is the first of five sections that make up The Waste Land (1922), T. S. Eliot’s landmark modernist poem. What follows is a short analysis of this opening section, with the most curious and interesting aspects of Eliot’s poem highlighted. You can read ‘The Burial of the Dead’ here. What we intend to do is provide a brief summary of what happens in ‘The Burial of the Dead’, but we’ll stop and analyse those features which are especially significant as we go, and point out the meaning of the most important allusions.

In summary, Eliot’s poem opens, famously, with a declaration that ‘April is the cruellest month’. This is because, we are told, flowers and plants grow – as you’d expect from springtime – but they grow ‘out of the dead land’. Few people…

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Crack

Wrap
music. Crack,
Discordant sound.
Young men who think they have something profound
To express
Impress
Girls near cracking point.

Lyrics disjoint.
I don’t see the point
But then I am from the right side of the street
And do not meet
Those who make up for what they lack
With Crack.

Hard men
Go down when
Those with faster toys
Mow down boys.
A crack
And all goes black
For one who once did wrap.

I am of a certain background
And have nothing profound
To say
As I overhear a girl who does wrap
Along
To the song
Of Crack.

Black Ice

2 Cars in search of a crash
Jump red lights
On nights,
When black ice
Holds the heart in a vice-like grip.

Girls trip
By
On heels to high
For walking.
Tongues are talking,
“They are prisoners of their own making”.
Much head shaking.

Vehicles collide and slide
Down the embankment towards the river of unmindfulness
Where those who drink
Into forgetfulness sink
And remember not
That it is their lot
To constantly pay
the ferryman Who carries their soul away.

It Catchs Up With You

It catches up with you, in the end,
Although its easy to pretend
That the late nights
And fights
With an unknown friend
Under the sheet
Will not defeat
Roistering youth.

The truth
Oft creeps
Up on a man as he sleeps.
Or when, on seeing nature’s beauty he weeps
Over something irredeemably lost,
And counts the cost for a while,
Then with a weary smile
Returns to the merry-go-round
Which will spin him round, and round and round

Cheshire Cat

My finger lingers
Over the delete button.
One little caress, a mere press
And the process
Will be complete.

The call button.
Am I a glutton
For the fire
With a desire
To burn on a pyre
Of my own making?

Heads shaking
I see
Telling me
I need to be free
Of thee.

One final spree
For you and me?
I imagine the glee
In your eyes
Where no pitty lies.

The smile
Of the Cheshire cat vanishes while
Only a thin lipped grin
Of distaine remains.

Spider

Bluffing.
Toughing it out.
The spider expects a rout
And does employ
The oldest stratagem to destroy
Her foe.

Hey ho
There is nothing new under the sun.
A few turn and run,
While others, having done
As the spider does ask
Find it an impossible task
To escape the pretty creature who spins
Her web composed of human sins.

A few demand
To see her hand.
A command
She can not fulfil.
The spider sulks,
Skulks away
And goes in search of other prey.

A Very Short Analysis of T. S. Eliot’s The Waste Land

InterestingLiterature's avatarInteresting Literature

A critical reading of a landmark modernist poem

The Waste Land, first published in 1922, is arguably the most important poem of the whole twentieth century. Written by T. S. Eliot, who was then beginning to make a name for himself following the publication (and modest success) of his first two volumes of poetry, The Waste Land has given rise to more critical analysis and scholarly interpretation than just about any other poem. Critics and readers are still arguing over what it means. In this post, we plan to give a brief introduction to, and analysis of, The Waste Land in terms of its key themes and features. We will then zoom in and look at the individual five sections of the poem more closely in separate posts. (We say ‘brief introduction’ and ‘short analysis’, but even the shortest analysis of Eliot’s The Waste Land is going to require…

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