Tag Archives: publishing

Selling Print Books

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What is the point of having your book (or books) available in print? Surely the future is digital. Print books moulder unread on dusty shelves while we all browse our Ereaders, tablets and smart phones? Below is my experience of selling the print edition of “Lost in the Labyrinth of My Mind”, my latest collection of poetry, (http://moyhill.com/lost/).
I have given away copies of “Lost” in return for honest reviews in both print and electronic formats. Friends and several libraries have also been recipients of my book. Apart from free copies, I have sold a number of print books (8 at the last count). I usually carry several copies of “Lost” in my rucksack and if the conversation turns to books or what I do with my time, “Lost” is mentioned. At this point in the conversation I hand over a copy of my book, people flick through and (as mentioned above) have, on a number of occasions purchased a copy.
While it is true that I could bring up “Lost in the Labyrinth of My Mind” on a Kindle or other device, in my experience most people still prefer the physicality of a book and are more likely to buy when faced by a hard copy work. I may have lost out on opportunities to market “Lost”. For example I recently gave a poetry reading at the Poetry Cafae in London’s Covent Garden. Being unsure as regards the rules of selling books at such events, I refrained from doing so. However several other poets did mention (and sell) their work and I shall not neglect a future opportunity to market mine.
What about sales via the internet or through brick and mortar bookstores? As mentioned earlier, “Lost” is available on the Moyhill site. In addition it can be found in my local independent bookstore, Bookseller Crow, (http://booksellercrow.co.uk/). While I am extremely grateful to the publisher for creating a dedicated webpage and to Bookseller Crow for stocking “Lost”, as of today (14 April) no sales have been forthcoming via the publisher or the bookshop.
Why should the above be the case? In my local bookshop “Lost” has to compete with thousands of titles and while it has an eyecatching cover (for which I’m grateful to David Cronin of Moyhill), my book has to compete with many other works possessing well produced covers. Another reason explaining the lack of sales in my local bookstore stems, I believe from the fact that poetry is very much a niche market and works of poetry do not sell in the same quantities as fiction. While I publicise my writing via this site (newauthoronline.com) my presence is not that of a Carol Ann Duffy and if most people haven’t heard of you it becomes largely a matter of chance as regards whether they will browse (let alone buy) your book. In short “Lost” is a small tree in a big forest and it is a matter of chance as to whether a wanderer stops to rest under it’s branches and enjoy the scent of my tree.
Turning to Moyhill, they are an excellent company and I cannot recommend them highly enough. However my book is one of many on the publisher’s website and it is, again largely a matter of chance whether a browser will alight on “Lost”.
The advantage of selling face-to-face is that readers can engage the poet and/or author in conversation. They can browse your book, ask questions and even request you to read a short passage. Likewise, with poetry readings, if a person attending likes what they hear, they are more likely to purchase the poet’s work than if they passed by his (or her) work in a bookshop.
The obvious disadvantage to selling face-to-face is that you, as the poet/author can only ever reach a tiny percentage of your potential readership, none the less a sale remains a sale!
In conclusion, in my experience, selling print books as a little known poet is perfectly possible, however sales largely flow from face-to-face interactions with potential readers/buyers. Having a website and/or blog is a great way to get your name out there and generate interest in your work, it will not, however necessarily lead to significant book sales. Despite not having sold books via my local bookstore, I remain grateful to them for stocking “Lost” and I’d certainly recommend getting your work stocked (if you can) by a bookstore.

(“Lost in the Labyrinth of My Mind” is also available as an ebook and can be found HERE) 

The 10 Worst Story Openings

An interesting article on “The 10 Worst Story Openings”, (http://lauralee1.blogspot.co.uk/2013/09/10-ways-not-to-open-story.html). While I agree with some of the points made in this piece, getting hung up on how one should (or should not) begin a story can lead to a loss of spontaneity, with the writer worrying about the perfect (if such a thing exists) beginning rather than simply writing the best story they are capable of. Again what one reader perceives as being clichéd may well be regarded by others as constituting a great opening paragraph.

Kevin

In an efort to help fellow authors, J K Rowling shares her rejection letters

In an efort to help fellow authors, J K Rowling shares her rejection letters, (http://www.dailymail.co.uk/news/article-3509237/We-publish-book-commercial-success-Harry-Potter-author-JK-Rowling-shares-rejection-letters-publishers-writing-pen-Robert-Galbraith.html).

Copyright Infringement

I was concerned to see that my collection of poetry, “Lost in the Labyrinth of My Mind”, which is legally available on Amazon only (http://www.amazon.co.uk/dp/B01AF5EPVY), is (seemingly) being offered on the website of Lilplay, (http://www.wcano.com/lost-in-the-labyrinth.html), without my consent.
A search for Lilplay brings up an extremely high number of customer complaints, including those by authors who state that their copyright is being infringed by Lilplay.
In terms of resolving this matter, I will be following the advice set out in this helpful link, (http://thestoryreadingapeblog.com/authors-resources-central/copyright-infringement-actions-to-take/), which is, in essence to submit a DMCA via the ISP of the company hosting the copyright infringing material. My thanks to The Story Reading Ape for this helpful resource.

Kevin

Results Of The Poll To Choose A Book Cover For “Lost In The Labyrinth Of My Mind”

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A big thank you to everyone who voted and commented in response to my request for help in choosing a book cover in respect of my collection of poems, “Lost In The Labyrinth Of My Mind”. As of today (19 February) cover number 11 has attracted the most votes (a total of 8). In addition number 11 has gleaned the most favourable comments. I have therefore decided to use that cover for the forthcoming print edition of “Lost In The Labyrinth Of My Mind”.
Once again, a huge thank you to everyone who participated in choosing the book cover, either through voting, commenting, liking my post or sharing via social media.

Kevin

Please Help In Choosing A Book Cover For My Collection Of Poems, “Lost In The Labyrinth Of My Mind”

The purpose of this post is to ask for your help in choosing a book cover for the print edition of my recently published collection of poetry, “Lost In The Labyrinth Of My Mind”,

To this end I would appreciate it if you could please vote for your favourite cover (numbered on bottom left of each cover). It would assist me if you could add comments explaining your choice.

The following poem, “Lost”, provides a flavour of the poems to be found in the book and will, I hope aid you in choosing a book cover:

Lost

My thoughts lost on the damp air
Going who knows where.
The sodden grass
I pass.
Where children play
But not today.
No ball
Or bird call.
Only the rain’s incessant fall.

Many thanks for your help.

Kevin

Current Cover

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New Cover Alternatives

Cover tests 2x2 1

Cover tests 2x2 2

Cover tests 2x2 3

Cover tests 2x2 4

Cover tests 2x2 5

POLL IS NOW CLOSED

Copyright Notice

This post (http://aopinionatedman.com/2015/12/09/copyright-online-theft-and-blogging/) prompted me to post a Copyright Notice (http://newauthoronline.com/copyright-notice/) on this site. I had fully intended to add such a notice for some considerable time. I had, however not got round to doing so until today.
Wordpress offers a re-blogging function, allowing the sharing of a small part of posts, with readers being directed to the original source. I welcome re-blogs and am grateful to everyone who takes the time to share my work in this way. Consequently the above Notice should not be taken as a prohibition on re-blogging. The Notice is intended to prevent the taking of content by a minority of individuals and the passing off of such content as their own work. I hope that the Notice will protect my work and that of those who have honoured me by guest posting on newauthoronline.com.

Kevin

Are You Interested In Guest Posting On Newauthoronline?

I am very happy to consider guest posts. If you are interested in guest posting please visit the following link for details, http://newauthoronline.com/guest-post-submissions/.

Kevin

This Above All, To Thine Own Self Be True

I must confess to being a little disappointed on receiving the below reply, in response to my submission of several poems to a magazine.

“I read the poems with interest but nothing takes my fancy”.

It would have given me pleasure to see my work featured on a platform other than my own. There is within the heart of man, deny it though he will, a desire for the approbation of his fellows. I am no exception to this rule. I receive a warm glow every time one of my readers likes or comments on my work. Likewise I derive tremendous pleasure on reading reviews left by my readers.

The approbation of others is not, however what drives me to write. Despite the swearing at my computer and the shaking of my fist in frustration when the words fail to come (at the machine I hasten to add), I can not stop writing for I have an itch which needs to be scratched, scratched and scratched again. Thoughts run through my head and must find expression on the page. I can not help myself. I must put pen to paper and leave it to the gods to determine whether or not my words find a place in people’s hearts.

 

I would like to close by thanking all my readers for following me at newauthoronline.com and reading my work.

 

Kevin

 

 

The Overwhelming Majority Of Self-Published Work is “Bad” – I Beg To Differ

I recently came across the following comment regarding the difficulties experienced by authors in getting published, (http://www.derekhaines.ch/justpublishing/i-need-a-publisher-no-you-dont/comment-page-1/#comment-1607). The commenter’s argument is neatly encapsulated by the following quote,

“Here’s the truth: 99.99% self publish because a traditional publisher rejected their manuscripts.

Why? Because they’re BAD!”

 

The above is a  sweeping assertion. How can the commenter possibly know why so many authors find it difficult to get published via established (traditional) publishing companies? Where is the evidence to bolster his case? The plain truth is that he produces no facts in support of this highly contentious statement.

Established big name publishers will, on the whole publish what they believe will sell. What sells does not always correlate with what constitutes good writing. Of  course there are many excellent works published by traditional publishers. However alongside the excellent exists what to my mind at least constitutes pap. The same applies to self-published authors – there is much good work out there which co-exists alongside the pap. I don’t believe that anyone can say, hand on heart that all that eminates from the traditional publishing stable is sweet scented hay while that coming from self-published authors is coated in horse dung. The sweet smelling hay and the manure are present in both stables and its nonsense to contend otherwise.

As  a  self-published author I do, of course have an axt to grind in that I believe my own work is far from being “bad”. I have also read many other self-published authors and poets who’s writing is far from being “bad”. I chose to self-publish due to wanting control over my own work. However I have a  close friend in the off-line (real) world who expended countless hours in firing off letters to literary agents and publishers. He  got nowhere. Hence he decided to self-publish using Createspace. It  may be said that friendship clouds my judgement, however, having read a  considerable portion of his manuscript I can assure my readers that it is far from being “bad”. It  is, in my opinion extremely well written.

I have nothing whatsoever against traditional publishing. What I object to is lazy arguments not supported by evidence to the effect that the vast majority of material emanating from the self-publishing sector is bad, while traditional publishing overwhelmingly produces works of outstanding merit.

 

(Please Note; this post is in response to the comment linked to above. I agree with the post on which the commenter is commenting, it is the comment (not the post) with which I take issue).