At the going down of the sun we shall remember them

One of my earliest recollections of growing up in Liverpool, is of a relative (I called him big granddad or Captain Jim), who had fought and been wounded in World War I. I remember him tapping with the walking stick, which he invariably used, on the fish tank which sat in a corner of my grandfather’s (on my Mother’s side) living room. In later life I learned that he had been (and remained until his death) a member of the Labour Party and that meetings of the local organisation had taken place in his home.

I have no memory of ever having talked with this kind gentleman regarding how he came to walk with a stick but, later in life I learned that he had been wounded in the trenches. I have no idea of what this man had been through (its difficult at this distance in time to comprehend the horror of trench warfare other than by reading the accounts of eye witnesses, the recordings of those who fought in the “Great War” and, of course the poetry of the war poets such as Wilfred Owen, Siegfried Sassoon and Rupert Brooke). In retrospect I wish that I had spoken with Captain Jim about his experiences. However I was a small boy so did not do so. Even had I raised the subject, its perfectly possible that he may not have wished to engage with me (or anyone else) on it.

Back in November 2016 I wrote the below poem “Poppy” which is reproduced below:

”

To those who died that you and me
Might live free.
To those who gave their sweet breath for King and Countrie.
I regret that yesterday
I had no cash to pay
For a poppy deep red
To remember the dead.

I will not know the stench
Of trench
Nor the wrench
Of fear
And pain as spear
Drains the life away.

What can the poet say
Who has never known
The touch of steel against bone?
We die alone
But most will peaceful go
And will not know
The whoa
Of comrades lost,
Nor count the cost
Of bloody strife.
They will not give their life
That others (you and me)
May live free.

Having only my debit card I regret to say
That I could not buy
A blood red
Poppy to remember the dead
As I wended my way
To my nine to five job yesterday”.

 

Your chance to win a signed copy of “The Writer’s Pen and Other Poems” by poet K Morris

I am offering my readers the chance to win a signed copy of my collection of poems, “The Writer’s Pen and Other Poems”, (paperback edition), https://www.amazon.com/dp/1730814883/.

The Rules:

1. Only one signed copy of “The Writer’s Pen and Other Poems” is available.
2. The first person to provide the answer to the question posed at the end of this post will receive a signed copy of my book.
3. The winner will have their prize mailed to them in December 2018.
4. Anyone (irrespective of their location) may enter.
5. To enter please send an email to newauthoronline (at) gmail dot com, (the address is given thus to defeat spam bots etc)! Please put “competition to win a copy of The Writer’s Pen” in the subject line of your email.
6. The competition closes on 28 November. No entries received after this date will be considered.

The Question

Who wrote the poem which begins thus:

“The curfew tolls the knell of parting day
The lowing herd wind slowly o’er the lea
The ploughman homeward plods his weary way
And leaves the world to darkness and to me”.

Auschwitz

justinfenech's avatar

1

“Along the train tracks a group of Jewish boys were singing. It was magical. I hated them. How dare they let magic into this living hell? And then, I saw her. I saw the woman who would become my wife posing for a photo at the gates of Auschwitz.”

2

For most of the people walking into the gates of that cold, wind-swept institution, most of their impressions of the war and the Holocaust came from films like Schindler’s List and Boy in the Striped Pyjamas.

One man, in his twenties, thought this was a disgrace. But perhaps, remembering this unspeakable genocide via the medium of entertainment was their way – our way – of being able to creep up close to the memory. And we need to be close to the memory, the young man thought, that we could all agree on.

It started to rain. The…

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Who will be the UK’s next Poet Laureate

An interesting article in The Guardian regarding who will fill the role of the United Kingdom’s next Poet Laureate, when the current incumbent, Carol Ann Duffy vacates the position in 2019, https://www.theguardian.com/commentisfree/2018/nov/10/wanted-one-royal-rhymester-an-interest-in-trees-and-homeopathy-an-advantage. You can find out more about the UK’s Poet Laureate by following this link, https://en.wikipedia.org/wiki/Poet_Laureate_of_the_United_Kingdom.

Crows at Dusk

Dusk is falling.
I hear
In the autumn of my year
Crows calling
And the chatter of the magpie
As I
Ponder on days of yore.

The caw
Of this dark bird
Was no
Doubt heard
Long ago
By those who walked this self-same track.

The evening is chill
But I will
Not turn back
For melancholy is a precious part
Of the human heart,
And those who forever laugh
Do not comprehend
That every path
Must reach its end.

—

I hear children playing in a garden close to the park.
‘Tis a happy sound after the cawing of the crows.
Who knows
Perhaps matters
Are not so stark
For not all dreams shatter
And something of what is precious may survive.

‘The Way through the Woods’: A Poem by Rudyard Kipling

InterestingLiterature's avatarInteresting Literature

Following yesterday’s tree-themed poem, today we share ‘The Way through the Woods’, one of the best-loved poems by Rudyard Kipling (1865-1936). Although he is not known for writing obscure poetry (some of his short stories are true head-scratchers, mind!), Kipling leaves the meaning of ‘The Way through the Woods’ somewhat ambiguous.

‘The Way through the Woods’ by Rudyard Kipling

They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees. 

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