There was a young lady from Bangkok
Who wrote poetry while drunk on Hock.
A literary man named Paul
Said “tis so easy to fall
For poetical girls in Bangkok”.
Monthly Archives: July 2018
Taps
Looking back
I recall
The Union Jack
And Taps
At nightfall.
Sometimes I desire
The certainty of the camp fire,
That ancient union
Felt in the communion
Of song.
It has long since gone
But memories live on,
Tinged with nostalgia perhaps
For Taps
And the flag that did unite
Both black and white
In the camp fire’s simple light.
Terse Is By No Means Worse
Disclaimer: many of my own poems could be construed as falling into the category of short verse. It could therefore be argued, with some justification, that I have an axe to grind here.
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Sometimes, on reading a long poem, I feel that had it been shorter its words would have exerted a greater impact on me as a reader. Yet, as pointed out in this article on Magma Poetry, it is rare for short poems to win poetry competitions, https://magmapoetry.com/writing-short-poems/.
In my opinion, Ernest Dowson’s “Vitae summa brevis spem nos vetat incohare longam” is one of the finest examples in English of a short poem, which conveys a powerful message in only a few lines of verse:
“They are not long, the weeping and the laughter,
Love and desire and hate;
I think they have no portion in us after
We pass the gate.
They are not long, the days of wine and roses,
Out of a misty dream
Our path emerges for a while, then closes
Within a dream”.
In only 8 lines, Dowson powerfully expresses sentiments that other poets have expended whole ink wells in expressing.
As pointed out in the above mentioned article, there is a view (albeit subconscious in many instances of its manifestation), that for a poem to be great it must be long. In point of fact great skill is frequently required to convey a message in only a few lines of verse and terse is by no means invariably worse.
Of course there are many great long poems, for example “Kubla Khan”. It is not, therefore a case of substituting the prejudice that “short is inferior while long is superior” for “short best conveys while long oft overstays”. There are great short (and long) poems but greater recognition should be accorded to the former than is often the case.
As always I would be interested in the views of my readers.
COLD GROUND
There Was A Young Man Called Rory
There was a young man called Rory
Who was a romantic Tory.
He met a Socialist girl
(Her name was Pearl),
But that’s another story!
There Was A Young Lady Called Lou
There was a young lady called Lou
Who said “I am in love with you!”.
So she lent me some money
(That sweet, darling honey)
And now I’m in love with Sue!
Cheap
Cheap
Girls shoes.
I choose
Not to keep.
Oh Would The Night
Oh would the night
Wrap me tight
In her longed for arms,
There I would take
Delight.
In her untried charms.
But she
Would forsake
Me
Come break
Of day
And I
Should sigh
And go dally
With Sally
Or Fay.
Is Poetry Socialist?
A little while back, a friend and I sat enjoying a curry and a bottle of wine. At some point during our conversation my friend remarked on how poetry is, in some sense “socialist” or “left-wing”. At the time I said that I didn’t agree with his perspective, and our conversation moved on to other topics.
Rather than entering into an exposition of my own views on the above question, I would be interested in hearing those of my readers. Is poetry in some sense “Socialist” or “left-wing”? If so why?
Obviously there have been (and remain) Conservative poets (for example Philip Larkin). Likewise men such as W. H. Auden where of the left. However, leaving aside the fact that poets hold different political perspectives, is there some sense in which poetry appeals more to those on the left of politics? Or is the art form, in some sense profoundly Conservative with a big or a small c?
Hot
The sun
Is hot
And my thoughts run
To where they ought not.
Short clothes
And her toes
Bare
To the teasing air